realm of kitsch

The moral corruption of Holocaust fiction: John Boyne’s shameless sequel to The Boy in the Striped Pyjamas exemplifies a genre that expunges the genocide of its horror, and its Jewishness.

In his 1998 essay “Who Owns Auschwitz?” the survivor and Nobel Prize-winning author Imre Kertész grappled with the problem of how to represent the Holocaust in literature and film. ...he argued, the Holocaust gradually becomes the realm not of reality, not of history, not of jaw-dropping, thought-defying tragedy, but of kitsch.

ну я и говорю, Фашисты и евреи в нынешней литературе и кино - это своего рода кетчуп. ©впс

Моральная деградация литературы о Холокосте